born December 13, 1957, also known as Chip Tanaka, is a Japanese musician, composer, sound designer, and executive who pioneered chiptune music. He is best known as one of Nintendo's in-house composers during the 8- and 16-bit era of video games. Tanaka also had a role in designing and programming the Famicom and Game Boy audio hardware, along with the NES Zapper, Game Boy Camera, and Game Boy Printer.
Tanaka's soundtrack credits include Metroid (1986), Kid Icarus (1986), Super Mario Land (1989), Tetris (1989), Mother (1989), Dr. Mario (1990), and EarthBound (1994). He was the president and executive director of Creatures Inc. from 2001 to 2023, before resigning and taking on the role of Creative Fellow in the company.
Donkey Kong 3 (1983) was the first game where Tanaka acted both as composer and sound effects designer. His approach to game composition carried on from his dub obsession: "For instance, if you listen to the music in Wrecking Crew (1985), you could recognize that some parts are drum and bass only. So that turned out to be an idea for working around the limitations of the game software. I figured that, to get the most out of the game music, a dub-based structure would be a really great solution. I'd play the melody in some parts, then cut it off and insert a part with just drums and bass, and vice versa. No one else was doing it, but it was what I wanted to do." Tanaka described what he remembered as a "typical day" at Nintendo in the brief period following the release of the Famicom home game console:
While working full-time at Nintendo on two or three games a year, and sometimes two simultaneously, Tanaka continued playing gigs in Osaka and Tokyo with the Shampoos. Sometime in the late 1980s, they recorded the 45 rpm " Thunder Dub" which prominently sampled the opening drumbeat from the Beatles' "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (1967). Tanaka did not personally see a difference between the music he composed for video games and the music he composed in his off time. For Metroid (1986), Tanaka acknowledged that games were becoming more complex, and his scores were becoming more like a film's, desiring in Metroid not to "repeat the same game-melody cliches," although he recalls that the game's soundtrack was not well-received within Nintendo because of its dark atmosphere. He was inspired by the film Birdy (1984) to create a game score that was dark until the very end, where the player would finally receive music with a strong melody. Despite disapproval from his Nintendo colleagues, Tanaka was allowed full creative freedom on projects, and even had a fluctuating role in influencing some games' content and play style. He remembers Nintendo's strict, repeated criticisms over the amount of "fun" a game would have, but that there was no financial pressure in creating games, nor were there sales quotas to meet. At the time of Dr. Mario (1990), Tanaka began observing an increasing number of "serious" game composers who had graduated from . Dr. Mario was thus the first time Tanaka had asserted his musical personality in a game.
Tanaka was one of "about five or six" Nintendo-based developers who designed the Game Boy, researching and creating its audio hardware. He was inspired to develop the Game Boy Camera from a product called ViewCam that was popular at the time — Tanaka also ran experiments on the possibility of watching television via the Game Boy.
Tanaka succeeded Ishihara to become the president of Creatures in 2001, while Ishihara continued as CEO. Starting in the late 2000s, Tanaka began to perform at Japanese dance clubs under the name "chiptune Tanaka". The moniker was suggested by a foreign acquaintance, as Tanaka thought "Hip Tanaka" was too attached to his time at Nintendo.
After the death of Satoru Iwata in 2015, Tanaka wrote a tribute track titled "Dedicated to Satoru Iwata". In April 2023, Tanaka announced he was stepping down as president and executive director of Creatures, but would remain as a Creative Fellow.
Among specific musical influences, Tanaka has cited Brian Wilson, Randy Newman, Stackridge, Yabby U, the Flying Lizards, Prince, Lalo Rodriguez, My Bloody Valentine, Frank Zappa, Keiichi Suzuki, Hal Willner's various artists compilations, Translation Sly Dunbar, Jah Wobble, and the Slits. The "hip" in "Hip Tanaka" came from hip hop, with his favorite artist of the genre being A Tribe Called Quest.
| + Video games !Year !Title !Notes | ||
| 1980 | Sound effects | |
| Radar Scope | ||
| Heli Fire | ||
| 1981 | Donkey Kong | |
| 1982 | Programmer | |
| Donkey Kong II | ||
| 1983 | Sound effects | |
| Mario Bros. | ||
| Programmer | ||
| Mario's Cement Factory | ||
| Donkey Kong Jr. | ||
| Snoopy | ||
| Popeye | ||
| Mario's Bombs Away | ||
| 1984 | Spitball Sparky | |
| Music, sound effects | ||
| Duck Hunt | ||
| Hogan's Alley | ||
| Urban Champion | ||
| 1985 | Balloon Fight | |
| Wrecking Crew | ||
| Stack-Up | ||
| Gyromite | ||
| 1986 | Gumshoe | |
| Metroid | ||
| Kid Icarus | ||
| 1987 | Ginga no Sannin | Music supervisor |
| 1988 | Music with Kenji Yamamoto | |
| 1989 | Music, sound effects | |
| Yakuman | ||
| Tetris | ||
| Music with Keiichi Suzuki | ||
| Sound effects | ||
| 1990 | Music, sound effects | |
| Dr. Mario | ||
| Balloon Kid | ||
| 1992 | Hello Kitty World | |
| Supervisor | ||
| Music with Ryoji Yoshitomi and Kazumi Totaka | ||
| Sound effects | ||
| 1994 | Music with Keiichi Suzuki, Hiroshi Kanazu, and Toshiyuki Ueno | |
| 1995 | Music with Minako Hamano | |
| 1997 | Advisor | |
| 1998 | Director, graphic designer, music | |
| Sound director | ||
| 2001 | Director, game designer, music | |
| Director | ||
| Kingler's Day | ||
| 2003 | Supervisor | |
| 2008 | Music arrangements | |
| 2009 | Producer | |
| 2011 | Pokédex 3D | |
| 2012 | Pokémon Dream Radar | |
| Pokédex 3D Pro | ||
| 2014 | Music arrangements | |
| Pokémon Trading Card Development | ||
| 2016 | Producer | |
| 2018 | Music arrangements | |
| 2025 | Street Fighter 6 | "Glorious Match" |
| + Anime !Year !Title !Notes | |
| 1997–2002 | Japanese opening and ending themes |
| 2002–2006 | |
| 2006–2010 | |
| 2010–2013 | |
| 2013–2016 | Pokémon XY |
| + Other works !Year !Title !Notes | ||
| 2011 | composed "HVC-1384" | |
| 2017 | Original album | |
| 2020 | Domingo | |
| 2021 | Lost Tapes | Demo and prototype music |
| Original album | ||
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